Through these halls walk the leaders of the future.
Within these classrooms their thirst for learning is quenched.
The teachers prepare their minds for life's opportunities.
Faculty and staff maintain the structure for an environment to learn.
Our responsibility to our youth is to unlock
The Doorways to the Future.


Doorways to the Future, is another public art project of the Museum Of Cultural Arts, Houston (MOCAH). The project was made possible through the vision of Principal Dan DeLeon and through the hard work and dedication of, Grant Coordinator, Carolyn Teas. In the spring of 2003 Principal DeLeon conceived the idea of creating a tile mosaic mural for the entrance hallway of Thomas A. Edison Middle School. Ms. Teas was assigned the role of selecting an artist for the work and identifying the funds to execute the project. Six key funding sources were engaged, 21st Century Community Learning Grant, Greater Houston Inner City Games Inc., Harris County CASE, RGA Computer Systems Inc., John M. O'Quinn Foundation and Employment Training Centers. Reginald Adams, public artist and Executive Director of MOCAH, was selected as the artist to execute the job.


During the summer of 2003, over a 9 week period, Adams worked with over 50 students from Edison and the surrounding community to produce (15) 3'x 7' tile mosaic murals. The mural project began with a series of design workshops that lead the students through a process of research, development and design. The initial class of 28 students was divided into (14) teams of two. Each team was assigned a subject that the school offers through its' general curricula such as: Reading, English, Math, Science, Technology, Photography, Art, Sculpture, Horticulture, Sports, Dance, Drama, History, and Music. The teams were assigned the task of identifying 20 key words that related to their respective subject. Each team was them provided an opportunity to research their subject and related key words via the internet. Their goal was to find and printout images and symbols that correlated with their subject and key words. This exercise established the foundation for the development and composition of their designs.

Click to view kids at work

After approximately four weeks of arranging and rearranging their collected imagery the class completed their final compositions in preparation for the coloring process. Color theory was explained and modeled to the students. Each student was guided and instructed on how to create a color wheel and identify the primary, secondary and complimentary colors. This exercise laid the foundation for their decisions as to how their own designs would be colored. Each of the teams' designs was completed in time for the summer program's finale, which took place June 27, 2003. The teams were provided an opportunity to display their work to their teachers, peers, family and friends that attended the finale. Along with their displayed designs each team wrote a poem that briefly yet creatively described the meaning and purpose of their respective subjects.

Click here to view designs and poems


Next, the really hard work began. Though many of the original students returned in July to assist in the production of the murals other students also came to assist in the process. We began by transferring each of the (15) designs to 3'x7' hardiback panels. Once the design transfers were complete we covered the panels with clear plastic sheeting. The plastic allowed the designs to remain visible as the students created the clay tile for the murals. Working in teams of 3 or 4 each mural consisted of handmade and formed clay tiles. Students, teachers, faculty members, and volunteers from the community assisted in the tile production. From rolling out the slabs of clay to cutting the various shapes and forms to simply encouraging the students teamwork and progress, everyone had a task to complete. After approximately three weeks of tile production the murals were relocated to classroom within closer proximity to the school's kiln. While the greenware tiles were being fired commercial tile was broken and set in areas that allowed for solid colors. After the initial firing the tiles became bisqueware and were ready for glaze. Using their finished colored designs, the students glazed and colored the respective tiles according to their design schemes. Once all of the tiles were completely glazed and fired again they were set amongst the commercial tile mosaics.

Click to view video clip (real media)

The process of setting the handmade and commercial tiles was the most laborious phase of the project so three additional artist assistants, Prince Maduekwe, Chuma Okoli and Arthur Amanambu, were brought in to ensure the completion of the project on schedule. Within a two week production period all of the tiles were set and the murals were ready for installation. Juan Cervantes, a professional tile layer, was contracted to install the mural panels along the main entrance hallway of the school. The murals were installed and then grouted to finalize the project. The mural dedication is set for Thursday, September 4, 2003 at 10 a.m. On this date we cordially invite the entire community to this dedication to celebrate the creative and historical legacy that these students will leave for future students, teachers, faculty and visitors at Edison Middle School to appreciate for decades to come.

                                                   

                              

Museum Of Cultural Arts Houston, © 1999-2003 MOCAH is a 501(c)(3) non-profit organization

P.O. Box 202059  Houston, Texas USA  77020-2059  Tel: 713.864.2780  Fax: 713.864.1629   MOCAH Studios:  2500  Summer St.  3rd Floor Studio 7 C , Houston, TX  77007

  Email: info@mocah.org

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